Resisting Berlusconi’s Education Reforms in Italy

by Danielle Chynoweth

Genoa rises up from the sea, a chaotic surface of bricks and stone and tangled streets holding several thousand years of memory in the arc of its harbor.

Our first stop is AutAut – a squatted space claimed by protesting students earlier this year, shortly after our discussions with them last November.

I pause here for a brief history of the student occupations and our role in it:

In 2008 the Italian Parliament signed into law Berlusconi’s plan to slash ~$8 billion Euros in funding for public education and restructure it around regressive concepts of order and authority.

As a result, over 150,000 education jobs will be cut over 3 years.  University tuition will rise from $3,000 to $10,000 Euros in a country that has seen wages and saving accounts literally cut in half with the conversation from the Italian lira to the Euro.

Anyone failing a language test on the first day of school will be segregated into a different class, a move called “positive discrimination.”  School uniforms and rising from one’s seat when the teacher enters, and teacher’s ability to fail students for bad behavior are also part of the legislation.

Hundreds of thousands of students, teachers, and parents took to the streets, and occupied schools at all grade levels in protest.

Last November, the School for Designing a Society was invited to meet with protestors still occupying schools – at a high school in Pietrasanta and the University of Genoa.

We met teachers who wanted to design new ways of teaching.  We facilitated a conversation asking “What does our education need to be if we are to participate in forming society in reference to our desires?”  We met students angry at the “mafioso logic” in universities that protects a caste system still based on blood lineage.  In both cases they complained of the trend of “precarious teachers,” that is, contract teachers who live contract to contract, are often fired each summer, and live on near volunteer wages.

This Spring, we were invited back, to offer a Laboratorio di R(i)esistenza (Laboratory of Resistance/Re-existence) at Aut Aut.  Aut aut, (which refers to an either/or ultimatum in Latin), is an occupied space on the periphery of the University of Genoa, in a magnificent deteriorating stone building that skirts the ghetto.  The neighborhood was once a mandatory place for Jews and is now a tolerated as a favorite place for local businessmen to pick up transvestite prostitutes, and as cheap living for new arrivals from Senegal and Tunisia…

Our Italian friends, who have been attending the School for a number of years as students, held 3 workshops leading up to this one on “Educating to Desire” at Aut Aut this Spring.

We are here to support our Italian friends as they develop projects that create environments of reflection for activists and social change artists.  We plan to continue coming here twice a year if we can continue to scrape together the funding.

Sixteen people attended our Laboratorio, from Milan, Belgium, Bologna, and Genoa, who knew our work through other channels.

Some anticipated a presentation.  Instead we provoked them to describe their interests and started shape shifting the conversation, opening up spaces for composing (not just doing) social activism.

The conversation settled in on the issue of Le Ronde, a volunteer, vigilante security force codified by recent parliamentary action, to respond to fears of immigrants and crime.  The last manifestation of the Ronde was under fascist Italy, a link made clear with their adoption of the fascist uniform style and colors.

“Simply saying ‘Le Ronde’ is not yet stating a problem,” I explained “it needs to be made into a complete sentence to be a problem.”

So we took time working on formulations of the problem, such as:

– La Ronde make a visual normalization of a fascist atmosphere.
– La Ronde absorbs a section of the population that feels powerless (unemployed men) and gives them the crumbs of power over others.
– Our desires to control and be controlled have become larger than our desires to free and be free.
– Instead of taking responsibility for poverty and hatred and its effects, we push this responsibility onto the police and now Le Ronde.

Seeing that there were many angles to the problem, we then formulated responses to the various ways of framing the problem such as:

– Reclaiming public spaces and the streets with activities so that the need for security decreases.
– Dressing in mourning and haunting the Ronde as their do their rounds, following them and handing out literature about their origins under fascism.
– Organizing with the Ronde, recognizing them as powerless under or unemployed workers, to generate alternatives to the security problem.

We will return at the end of November.  After visiting the site of the earthquake in L’Aquila, we are discussing whether disaster will be our theme for this year.

Posted in Project Report

Emphases

Microtonal Design, or Alternative Crystallizations of the Pitch Continuum No aspect of music has become more rigidified in our minds and practice than the potential of musical pitch. Out of the vast pitch continuum, we find ourselves making the same non-choice over and over again: 12 equal divisions of the octave. Are alternatives possible, and do they make any sense? Yes! Join us for an exploratory seminar at the School for Designing a Society in Urbana, Illinois. Expertise unnecessary; only a willingness to un-stick yourself in good company.

Cybernetics and Social Change Cybernetics as an interdisciplinary field of study was proposed in the 20th century by scientists who wanted to fight fascism. From this study there ensued various unexpected theoretical and practical attempts and tendencies. A starting point for this course will be the view of cybernetics as a praxis for generating radical projects. Radical: getting at the roots of a problem; changing whole frameworks. The questions of cybernetics—regulation, self-regulation? observation, self-observation? stability, dynamics?—are invited to help actively answer the questions of social change: which social? how change?

Liberation Ecology What does sustainability look like when it refuses to sustain white supremacy? What is the meaning of liberation in a civilization that cannot feed or fuel itself? The choice between ecological objectives and social objectives is lose-lose. Rather than make it, we can unveil the connections between the two sets of issues, and create strategies for change that build on those connections. This class will weave together two elements: principles of ecological design, and exploration of the relationship between real and desired ecosystems and real and desired societies.

Ongoing Composition/Performance Projects

Pester Power! A collaborative compostion made by SDaS 2013-2014, now a kid’s performance to empower adults to help them change the world.
Collaboration with writer Faranak Miraftab and her book Making a Home in the Heartland: Immigration and Global Labor Mobility We’re in the process of creating a touring program based on this book.
“My Work in the Light of Herbert and Marianne Brun” Presentation/workshop series by local and visiting artists and activists.

Who is invited?

Since we all live with the consequences of the current design of society, everyone is invited to participate in designing a different one. No particular educational background is required; the prerequisite is the desire to participate in designing a society.

Apply

To apply to participate in the School for Designing a Society, please click here and you will be contacted for a phone interview.

To contact admissions, email Melanie at applications@designingasociety.net.

Keep in Touch! Subscribe to our Newsletter.

apply no particular educational background is required; the prerequisite is the desire to participate in designing a society.

register fill out the registration form here.

Keep in Touch! Subscribe to our Newsletter.

To Join a Climate Action

How do I sign up? What do I do?

1. Contact Linda at 217-550-6189 or lindaturnbull800@yahoo.com to schedule the first meeting of your team with a live performance of Pester Power at a time convenient for you and your neighbors.

2. Invite your neighbors to your house, to meet and see the live performance. (It’s 25 minutes long, fun, performed by kids).

3. After the performance, participate in a discussion about ways you and neighbors can change environmental and racial climate in your own home and in your community over the next 1 to 2 months (a member of Urbana’s Sustainability Advisory Commission would be happy to help). Make a commitment to take certain steps from the Low Carbon Diet book.

4. Meet three more times with your neighbors to check in on your action plan.

5. Celebrate your success with your team and with other teams.

Does this cost anything?

No. The performers (all kids) are excited to empower you adults to help them to change the world! The Urbana Sustainability Advisory Commission is delighted to work with you.

Keep in Touch! Subscribe to our Newsletter.

Seminars and workshops meet regularly… we’ll keep you updated!

apply no particular educational background is required; the prerequisite is the desire to participate in designing a society.

upcoming read about our upcoming programs and workshops for the year.

touring read about our touring and performance schedules for the year.

courses listed both alphabetically and by topic & a number of interdisciplinary programs cross boundaries between disciplines.

what happens? designing a society is a project that intersects the formats of classroom, commune, performance ensemble, activist group.

Stay in Touch

Keep in Touch! Subscribe to our Newsletter.





Exuberant Performance Workshops

Create your own One Woman (Man) Band!: Learn to multi-play various musical instruments.
Waltzing Marching Band Take to the streets with a big band full of unusual instruments.
Vaudeville, not Awed-ville Going back to the 1930’s, learn to be a performative ‘jack/jill of all trades’, rather than an expert in one.
One Man Band

Ongoing Composition/Performance Projects

Pester Power! A collaborative compostion made by SDaS 2013-2014, now a kid’s performance to empower adults to help them change the world.
Collaboration with writer Faranak Miraftab and her book Making a Home in the Heartland: Immigration and Global Labor Mobility We’re in the process of creating a touring program based on this book.
“My Work in the Light of Herbert and Marianne Brun” Presentation/workshop series by local and visiting artists and activists.

Who is invited?

Since we all live with the consequences of the current design of society, everyone is invited to participate in designing a different one. No particular educational background is required; the prerequisite is the desire to participate in designing a society.

Apply

To apply to participate in the School for Designing a Society, please click here and you will be contacted for a phone interview.

To contact admissions, email Melanie at applications@designingasociety.net.

Keep in Touch! Subscribe to our Newsletter.

Who is invited?

Since we all live with the consequences of the current design of society, everyone is invited to participate in designing a different one. No particular educational background is required; the prerequisite is the desire to participate in designing a society.

Apply

To apply to participate in the School for Designing a Society, please fill out the form here and you will be contacted for a phone interview.

To contact admissions, email Melanie at applications@designingasociety.net.

Keep in Touch! Subscribe to our Newsletter.

Who is invited?

Since we all live with the consequences of the current design of society, everyone is invited to participate in designing a different one. No particular educational background is required; the prerequisite is the desire to participate in designing a society.

Apply

To apply to participate in the School for Designing a Society, please click here and you will be contacted for a phone interview.

To contact admissions, email Melanie at applications@designingasociety.net.

Film Emphasis In the fall of 2013, the School for Designing a Society began to put more emphasis on the medium of video, with forays into the creation of Public Service Announcements as part of the larger SDAS collaboration project. We will continue with this emphasis in 2014. Under what circumstances will a composition of sound, text and moving image provoke curiosity, action, reflection, and change of mind?

Collaboration with writer & urban planner, Faranak Miraftab This Spring 2014 SDaS participants have been invited to work with writer and urban planner, Faranak Miraftab on theatricalizing texts from her book, Making a Home in the Heartland: Immigration and Global Labor Mobility. The book is based on interviews with Cargil employees in Beardstown illinois. The idea would be to create a touring program based on these texts/interviews. Writers, musicians, poets, dancers, activists are invited to work on this collaboration.

apply no particular educational background is required; the prerequisite is the desire to participate in designing a society.

upcoming read about our upcoming programs and workshops in the fall, spring & summer.

courses listed both alphabetically and by topic & a number of interdisciplinary programs cross boundaries between disciplines.

what happens? designing a society is a project that intersects the formats of classroom, commune, performance ensemble, activist group.